I started messing around with sin/cosin based grid manipulation a few days ago and posted the results on Flickr along with an abstract of the code and equation I used to generate the images.
This prompted Andy Best to amend the code to create two animations. Inspired by his efforts I decided to do my own animation in response.
The music is a quick edit I did of a Sir Drew bootleg 12” I’ve had for years and always loved.
A remix continuing in my current leftfield direction for the mighty Sound of Habib label. The original track is a collaboration between the label head honcho Johan SOH and Canadian breakbeat wonderkid Myagi.
Originally conceived in a basement flat in Hackney (owned by my adopted bruv Bobafat) on a pair of lovely custom speakers owned by his flatmate this remix has a dirty edge and scratchy beats underpinning the floating vocals of Sandra Nagano.
Now available to buy on Beatport
Resonate is taking over the Masonic Hall in Frome on Wednesday 9th of July as part of the 2008 Frome Festival. This promises to be the biggest and best Resonate so far this year.
My second ever performance of my wonky downtempo live show with added spicy visuals… If you are in the area it would be great to see you there.
Another remix for Real World of a track taken from the Big Blue Ball album that was initially started at the legendary Real World recording weeks nearly eighteen years ago by Peter Gabriel and Karl Wallinger and featuring a huge range of artists from around the world.
Habibe features vocals from Natacha Atlas from Transglobal Underground
The remix is available as a bonus track on the Big Blue Ball download from iTunes.
Been doing a little testing and preset design for the FAW guys for their new synth, Circle.
I have to say it’s been a delight to use. Very intuitive and lovely sounding with some very unique features that make getting oddness out of this synth a breeze.
Came up with this track in a few evenings and it’s 100% Circle. The only other bits are a touch of Reverence (Audio Damage reverb plug in) and the built in Ableton Live compressors and EQs.
